THE WORKING ACTOR
To Name Names or Not
Michael Kostroff explains why he refrained form naming a shady casting director in a recent column. More »

ADVICE
How to Set Artistic Goals and Collaborate Effectively
Casting director Paul Russell shares the best way to collaborate on creative projects. More »

THE CRAFT
Stillness is Golden
Bill Howey wants you to stop moving and stay still to make the greatest impact. More »

ADVICE
Tony Winners Offer Advice for Actors
Audra McDonald, James Corden, Nina Arianda, Steve Kazee, and others tell newcomers to say yes to every opportunity and enjoy the struggle. More »

SECRET AGENT MAN
Résumé Your Submission
Secret Agent Man takes a hard stance on sloppy résumés. More »

DANCE MOVEMENT
Get Down With Dance Cartel at the Ace Hotel
Ani Taj Niemann and her Dance Cartel group try to erase the lines between highbrow dance and popular culture with "OnTheFloor" at the Ace Hotel in June. More »

THE WORKING ACTOR
Landing an Audition Without an Agent
Working Actor Michael Kostroff advises standing out by doing something dignified and special. More »

THE WORKING ACTOR
Is There Such a Thing as an Uncastable Type?
Working Actor Michael Kostroff says anyone is castable with enough patience. More »

DANCE MOVEMENT
Expand Your Artistic Range With Dance Summer School
Try these unusual NYC classes to expand your artistic range during the summer. More »

THE WORKING ACTOR
Prepping a Pilot Audition, Negotiating Management Contracts
Working actor Michael Kostroff advises on what prep work to do for a pilot and the best way to negotiate a contract with a manager. More »

THE CRAFT
Screen Acting Demands a Conservatory Approach
Stonestreet Studios' Gary O. Bennett wants performers to take screen acting seriously and stop viewing it as secondary to the stage. More »

ADVICE
CD Jen Rudin Talks Casting Office Etiquette for Kids
Rudin believes in “creating an honest, positive, and comfortable audition environment.” More »