Cabaret

Cabaret Review: 'Ethel Waters: Blues, Broadway, and Jazz'

Jazz at Lincoln Center at the Allen Room at Frederick P. Rose Hall as part of the Jazz & Popular Song Series

Reviewed by Erik Haagensen

May 01, 2012


Photo by Frank Stewart
Most people today will remember Ethel Waters, if they know her at all, from her sterling performances in the films "Cabin in the Sky," "Pinky," and "The Member of the Wedding." Nevertheless, Waters is a seminal performer in American show-biz history, hugely influencing American music and popular culture during her seven-decade career. She was a star onstage, on the radio, and onscreen when black performers were relegated to playing domestics (as she was much too often), and she broke the color barrier on Broadway by headlining alongside a white cast in Irving Berlin's revue "As Thousands Cheer." In that show she displayed her considerable range, tearing the roof off the Music Box Theatre with the sexy "Heat Wave," then cutting to the quick in "Suppertime," a protest song about a lynching. Jazz at Lincoln Center has put together a two-night program honoring her, and it's a honey.

Three beauteous and bountifully talented ladies—Adriane Lenox, Catherine Russell, and Tracie Thoms—ably capture the many facets of Waters' talent and complement a relaxed and chipper Michael Feinstein, who serves as a personable host, articulate conveyor of director-writer Scott Siegel's nugget-studded biographical narration, and sings a few of the evening's 17 numbers himself.

Thoms and Lenox, of course, are well-known actors as well as vocalists. Russell mostly just sings with the band, and boy does she do it well. Each gets four solos. The elegant Russell starts with a deceptively casual, conversational "Harlem on My Mind" (Irving Berlin) that sneakily blossoms into glory. Following are a beautifully phrased "Am I Blue?" (Harry AkstGrant Clarke), a self-satisfied cat-with-cream take on "Bread and Gravy" (Hoagy Carmichael), and a sophisticated "Please Don't Talk About Me When I'm Gone" (Sam H. SeptSidney Clarke) that builds to a spectacular finish.

Thoms is the youngster of the bunch and brings a sunny quality that suffuses her work. Her "Good for Nothin' Joe" (Rube BloomTed Koehler) slyly suggests that perhaps Joe really isn't quite that bad. Clad in high black heels and a form-fitting print dress, she gives "Heat Wave" (Berlin) plenty of sizzle. "I Must Have That Man" (Dorothy FieldsJimmy McHugh) is sensuous and jazzy. "Georgia on My Mind" (CarmichaelStuart Gorrell)—sung about a woman, not the state, as originally written—brims with a longing more joyful than aching.

The divine Lenox, so good earlier this season in Encores! "Cotton Club Parade," reprises her wonderfully down and dirty "Go Back Where You Stayed Last Night," which Waters wrote with composer Sidney Easton. "Birmingham Bertha" (Akst-Clarke) is full of twinkling sass and determination ("Like the police/I never release my man"). Lenox's "Stormy Weather" (Harold ArlenTed Koehler) is an object lesson in the value of restraint, superbly judged and never wild or maudlin. Then she brings the house down in the traditional gospel song "His Eye Is on the Sparrow," featuring not only extraordinary vocal control but a deep sincerity that nearly converted this confirmed agnostic, aided by musical director Tedd Firth's fervent piano.

Feinstein reserves the Vernon DukeJohn Latouche score for "Cabin in the Sky" for himself, offering a nicely swinging "Taking a Chance on Love" and an effectively dreamy gloss on the title song. His "Love Turned the Light Out," however, never quite takes on the necessary darkness, remaining in the land of light depression. "I Can't Give You Anything but Love" (Fields-McHugh) offers a rare countermelody, complete with lyric, that was fascinating to hear, and "Dinah" (AkstSam LewisJoe Young) couldn't have been finah, especially the exciting rapid-fire second chorus, which Feinstein negotiates with consummate skill.

Firth leads a tight and tasty quartet, with Andy Farber on reeds (loved the saxophone solos), Ed Howard on bass, and Mark McLean on drums. "Ethel Waters: Blues, Broadway, and Jazz" is a classy evening and a heartfelt salute to one of America's great stars.

Presented by Jazz at Lincoln Center as part of the Jazz & Popular Song Series at the Allen Room at Frederick P. Rose Hall, 33 W. 60th St., 5th floor, NYC. May 12. Tue. and Wed., 7:30 p.m. (212) 721-6500 or www.jalc.org.
 

 
Subscribe to Back Stage

More Cabaret dance

ADVERTISEMENT

Unscripted Blog


Visit Unscripted »

Sponsors

Back Stage Video

Duncan Stewart, director of casting at National Artists Management Company, talks about opening every submission and what he wants to see in a headshot.; casting; Duncan Stewart; headshot; new york city; open submissions; Duncan Steward, director of casting, talks about what he wants from an actor in a general meeting, mainly truth, likability, and lack of ego.; advice; casting; Duncan Stewart; new york city; tips; Duncan Stewart, director of casting, talks about what he expects from an audition and common mistakes actors make.; advice; auditions; casting; Duncan Stewart; new york city; Alaine Alldaffer breaks down the real role of a casting direcor.; Alaine Alldaffer; casting; casting director; Grey Gardens; play; stage; theater; Casting director Alaine Alldaffer talks about casting "Saved" and all the misconceptions about being an actor in New York City.; Alaine Alldaffer; casting director; NYC theatre; play; saved; NY casting director Bernie Telsey describes what actors need to know before walking into an audition. (Part 1 of 2) ; Bernie Telsey; casting director; We spoke with casting director Mark Teschner about working on soap operas. (Part 1 of 3) ; General Hospital; Mark Teschner; soap opera; NY casting director Bernie Telsey describes how to give your best audition. (Part 2 of 2) ; Bernie Telsey; casting director; We spoke with casting director Mark Teschner about working on soap operas. Need only beautiful people apply? (Part 2 of 3) ; General Hospital; Mark Teshner; soap opera; We spoke with casting director Mark Teschner about auditioning for soap operas. (Part 3 of 3) ; General Hospital; Mark Teschner; soap opera; Videos for the Back Stage News & Features section.

ADVERTISEMENT