Columns and Blogs - Day and Date Down Under


Australian screen count nears the 2,000 mark

June 11, 2013

-By David Pearce


filmjournal/photos/stylus/64439-Pearce_Md.jpg
The number of screens in Australia continues to rise. Ten years ago there were 1,872 screens, and the latest count shows an increase to 1,997 screens. The number of cinemas has declined as the screens have increased. Ten years ago there were 547 cinema buildings and now we have 478. More than half these cinemas have only one to three screens. Only 48 have ten or more screens.

Australasian cinemas are looking forward to the U.S. summer movies opening here from mid-May onwards. The box office has been in a bit of a trough, with ticket sales running about 7% behind the first four months of 2012. January started off well, but business flagged in February and March. In April and May, ticket sales picked up with Star Trek Into Darkness and Iron Man 3 and there are hopes that they will continue to grow.

I have written before about Melbourne's wonderful single-screen Astor Cinema. At that time, a nearby school had bought the building and planned to turn it into a multi-purpose performance space with a cinema component. Things appeared to look up last year when Ralph Taranto bought the building and announced plans to renovate the heritage-listed structure. George Florence, who has operated the cinema for 20 years, was said to be very pleased with the purchase and looked forward to working with Taranto, an old friend of his. However, relations have become strained between the two men, and the future of the cinema and its operations is uncertain at the moment.

New Zealand has its first local hit of the year with Mt. Zion. Written and directed by Te Arepa Kahi, the film follows the problems of a rural potato farmer and musician who wants his band to be selected as the support act for Bob Marley's 1979 tour of New Zealand. His farmer father is not too keen on the idea. The film grossed around NZ$1.3 million following its release in February and has also had a limited release in Australia.

In recent years, the rising Australian dollar has caused a reduction in the number of U.S. films being made in Australia. The government is keen to see large productions continue to use Australia as a base and Disney has been promised an Australian government subsidy of around US$23 million to film its upcoming remake of 20,000 Leagues Under the Sea in Australia.

Send your Australia/New Zealand news items to David Pearce at insidemovies@hotmail.com


Australian screen count nears the 2,000 mark

June 11, 2013

-By David Pearce


filmjournal/photos/stylus/64439-Pearce_Md.jpg

The number of screens in Australia continues to rise. Ten years ago there were 1,872 screens, and the latest count shows an increase to 1,997 screens. The number of cinemas has declined as the screens have increased. Ten years ago there were 547 cinema buildings and now we have 478. More than half these cinemas have only one to three screens. Only 48 have ten or more screens.

Australasian cinemas are looking forward to the U.S. summer movies opening here from mid-May onwards. The box office has been in a bit of a trough, with ticket sales running about 7% behind the first four months of 2012. January started off well, but business flagged in February and March. In April and May, ticket sales picked up with Star Trek Into Darkness and Iron Man 3 and there are hopes that they will continue to grow.

I have written before about Melbourne's wonderful single-screen Astor Cinema. At that time, a nearby school had bought the building and planned to turn it into a multi-purpose performance space with a cinema component. Things appeared to look up last year when Ralph Taranto bought the building and announced plans to renovate the heritage-listed structure. George Florence, who has operated the cinema for 20 years, was said to be very pleased with the purchase and looked forward to working with Taranto, an old friend of his. However, relations have become strained between the two men, and the future of the cinema and its operations is uncertain at the moment.

New Zealand has its first local hit of the year with Mt. Zion. Written and directed by Te Arepa Kahi, the film follows the problems of a rural potato farmer and musician who wants his band to be selected as the support act for Bob Marley's 1979 tour of New Zealand. His farmer father is not too keen on the idea. The film grossed around NZ$1.3 million following its release in February and has also had a limited release in Australia.

In recent years, the rising Australian dollar has caused a reduction in the number of U.S. films being made in Australia. The government is keen to see large productions continue to use Australia as a base and Disney has been promised an Australian government subsidy of around US$23 million to film its upcoming remake of 20,000 Leagues Under the Sea in Australia.

Send your Australia/New Zealand news items to David Pearce at insidemovies@hotmail.com

More Day and Date Down Under

Down Under 09-14
Community theatres struggle to stay in business

Around 95% of independent cinemas in Australasia have converted to digital. Several of the other 5% are expected to close forever following news from distributors that they will soon cease supplying film prints. More »

Down Under 08-14
New Zealand earthquake-impacted cinemas earn industry awards

Two cinemas that were affected by the Christchurch earthquake in February 2011 have received top marks from their patrons. More »

Down Under 07-14
Event Cinemas announces eight new locations

Event Cinemas (previously Greater Union/Birch Carroll & Coyle) has announced seven new cinema complexes in Australia, one new complex in New Zealand and a refurbishment of their Miranda complex in Sydney. More »

Down Under 06-14
Sydney cinemas raise 3D ticket price

While many Australian cinemas have been sitting on a top 2D price of A$19.50 for some time, two Sydney cinema complexes have bitten the bullet and gone for an A$20 (US$21.30) ticket price. More »

ADVERTISEMENT



REVIEWS

Sin City: A Dame to Kill For
Film Review: Sin City: A Dame to Kill For

Neither significantly better nor worse than its predecessor, the belated Sin City sequel is more of a repeat, rather than a continuation, of the original. More »

If I Stay
Film Review: If I Stay

Delivers as promised. More »

Player for the Film Journal International website.


ADVERTISEMENT



INDUSTRY GUIDES

» Blue Sheets
FJI's guide to upcoming movie releases, including films in production and development. Check back weekly for the latest additions.

» Distribution Guide
» Equipment Guide
» Exhibition Guide

ORDER A PRINT SUBSCRIPTION

Film Journal International

Subscribe to the monthly print edition of Film Journal International and get the full visual impact of this valuable resource for the cinema business.

» Click Here

SPONSORSHIP OPPORTUNITIES

Learn how to promote your company at the Film Expo Group events: ShowEast, CineEurope, and CineAsia.

» Click Here