Reviews


Film Review: AKA Doc Pomus

This documentary reveals the little-known story of one of pop music's greatest songwriters in highly touching and entertaining fashion.

-By Frank Scheck


filmjournal/photos/stylus/1386118-AKA_Doc_Pomus_Md.jpg

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We all know and love the songs. “Save the Last Dance for Me,” “This Magic Moment,” “A Teenager in Love, “Viva Las Vegas” and countless others. But too few know the story of their composer, Doc Pomus, which is a situation that the new documentary AKA Doc Pomus corrects in highly effective fashion.

Pomus’ story is as dramatic as any of his songs. Born in Brooklyn as Jerome Felder, he was stricken by polio as a child and forced to wear cumbersome leg braces. That didn’t stop him from becoming a blues singer—not a musical genre usually performed by white Jews—under the stage name that would become his for life.

But it was when he later gave up performing and turned exclusively to songwriting that he truly made his mark, working with a variety of partners on some 1,000 songs over the course of a lifetime, many of which became classics.

Conceived by Pomus’ daughter, Sharyn Felder, and directed by Peter Miller and Will Hechter, the documentary serves as a loving tribute that doesn’t shy away from presenting a warts-and-all portrait. But as is made vividly clear, Pomus was a beloved figure who became an elder musical statesman and ubiquitous presence on the New York City live-music scene despite being confined to a wheelchair.

The film includes incisive interviews with many of his friends and colleagues, including Dr. John, Lou Reed, Ben E. King, Dion, B.B. King, Jerry Lieber, Mike Stoller and Gerry Goffin among others. Also providing testimonials are younger songwriters he befriended and influenced, such as Joan Osborne and Shawn Colvin. Pomus himself is heard from in archival interview footage, and excerpts from his journals are read by Reed.

But the most moving tributes come from friends and family, including his first wife, who tearfully describes how his inability to dance with her at their wedding inspired perhaps his most famous song, “Save the Last Dance for Me.” It’s but one touching anecdote in a film that tells the story of a remarkable life and career in wonderfully entertaining fashion.

The Hollywood Reporter


Film Review: AKA Doc Pomus

This documentary reveals the little-known story of one of pop music's greatest songwriters in highly touching and entertaining fashion.

Oct 2, 2013

-By Frank Scheck


filmjournal/photos/stylus/1386118-AKA_Doc_Pomus_Md.jpg

We all know and love the songs. “Save the Last Dance for Me,” “This Magic Moment,” “A Teenager in Love, “Viva Las Vegas” and countless others. But too few know the story of their composer, Doc Pomus, which is a situation that the new documentary AKA Doc Pomus corrects in highly effective fashion.

Pomus’ story is as dramatic as any of his songs. Born in Brooklyn as Jerome Felder, he was stricken by polio as a child and forced to wear cumbersome leg braces. That didn’t stop him from becoming a blues singer—not a musical genre usually performed by white Jews—under the stage name that would become his for life.

But it was when he later gave up performing and turned exclusively to songwriting that he truly made his mark, working with a variety of partners on some 1,000 songs over the course of a lifetime, many of which became classics.

Conceived by Pomus’ daughter, Sharyn Felder, and directed by Peter Miller and Will Hechter, the documentary serves as a loving tribute that doesn’t shy away from presenting a warts-and-all portrait. But as is made vividly clear, Pomus was a beloved figure who became an elder musical statesman and ubiquitous presence on the New York City live-music scene despite being confined to a wheelchair.

The film includes incisive interviews with many of his friends and colleagues, including Dr. John, Lou Reed, Ben E. King, Dion, B.B. King, Jerry Lieber, Mike Stoller and Gerry Goffin among others. Also providing testimonials are younger songwriters he befriended and influenced, such as Joan Osborne and Shawn Colvin. Pomus himself is heard from in archival interview footage, and excerpts from his journals are read by Reed.

But the most moving tributes come from friends and family, including his first wife, who tearfully describes how his inability to dance with her at their wedding inspired perhaps his most famous song, “Save the Last Dance for Me.” It’s but one touching anecdote in a film that tells the story of a remarkable life and career in wonderfully entertaining fashion.

The Hollywood Reporter

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