-By Shirley Sealy
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The problem in Kay and Arnold’s 31-year marriage is apparent from
the opening scene. Kay (Meryl Streep) nervously primps in front of
a mirror, adjusting the straps of her sexy blue nightgown and
fluffing up her hair before she opens a door to find her husband
Arnold (Tommy Lee Jones) lying in bed reading a golf magazine. When
he wonders aloud why she’s in
his bedroom, she mumbles
something about hoping to spend the night with him. After an
awkward moment when he comes up with some lame excuse to reject his
wife’s offer, she nods understandingly and goes back to her own
room—there to lie in bed and think. This is not how a marriage is
supposed to be: Kay and Arnie have not slept together in over five
years, he doesn’t even touch her anymore and they rarely talk to
each other.
Hope Springs could have veered off to become a rather broad
and predictable romantic comedy for aging baby-boomers—a movie full
of funny platitudes about the need to “work” on relationships, with
the husband always resisting and the wife insisting. Actually, that
pretty much summarizes what happens to Kay and Arnold, but somehow
the film they’re in manages to rise far above its formulaic premise
to become an adult love story that’s so uniquely real and touching
it can sometimes take your breath away. Credit for this must go, of
course, to director David Frankel and his three amazing stars, Ms.
Streep, Mr. Jones and Steve Carrell—who plays Dr. Feld, a
well-known marriage consultant and sex therapist who ultimately
coaxes the shy Kay and the prickly Arnold to confront their broken
sex life—and learn how to fix it.
At first, though, Arnold is totally unaware aware that his life
with Kay has fallen into a deadly routine—breakfast and dinner at
home; work in between; evenings watching TV golf; Sunday dinners
with their grown kids and their families. To him, a marriage is
successful if it lasts a long time,
period. Arnold is aghast
when Kay hands him an airline ticket and says she has already paid
for a week of “couples counseling” with Dr. Feld in a place called
Great Hope Springs, Maine. Arnie harrumphs around, vowing he’ll
never darken the door of
any therapist. But, at the last
minute, after watching his wife stubbornly take off alone, he
grumpily decides he’d better go too.
Jones’ ultra-sensitive performance is the true revelation here. The
actor’s curmudgeonly side has been well-mined in other films, but
we’ve never seen him undergo such a difficult and painful emotional
transition—from the gruff, closed-off cynic to an enthusiastic
friend and empathetic lover. In mid-therapy, when the doctor asks
Arnold to describe the best sex he ever had with his wife, Jones’
face visibly softens as he remembers and then relives the joy of
that long-ago moment when he and Kay spontaneously made love on
their kitchen floor.
And what of Streep? Everybody knows by now that acting-wise, she
can do anything—but it’s been a while (probably since
The
Bridges of Madison County) that she’s had a chance to be this
vulnerable and needy. But when this sad and lonely housewife
summons the strength to take back her marriage—well then! She’s
willing to risk
anything to get what she wants. Streep’s
natural sense of humor comes through too, and she’s especially
delicious as she tries to obey Dr. Feld’s instructions by
surprising her husband with a new (for her) sex trick at a movie
theatre—or when she unthinkingly takes a bite out of the banana
she’s supposed to be “practicing” on. Yes, there are some
wonderfully frank and funny moments in
Hope Springs, and in
less capable hands these moments might have proven embarrassing, if
not shocking to watch.
Strangely enough, Steve Carell (who has created more than a few
comically brilliant characters) plays it absolutely straight in
this one, letting his innate intelligence and basic sweetness shine
through—even when he’s asking Kay and Arnold the most outrageous
personal questions, or giving them the kinkiest homework
assignments.
It would be understandable if
Hope Springs makes some young
viewers cringe, as they picture their sixty-ish parents or
grandparents romping around the bedroom or kitchen or wherever. And
they might scoff at the relative sexual innocence of an older
generation. But viewers who can relax and go with the shenanigans
in this delightful and insightful movie may come away with a new
understanding of what intimacy is all about.
Film Review: Hope Springs
And now for something completely different: a thoughtful yet funny movie about how difficult it is for a married couple to maintain a close and sexy bond over the long haul. The pitch-perfect chemistry of Meryl Streep and Tommy Lee Jones makes Hope Springs a must-see for anyone who’s been in a relationship, or hopes to be.
Aug 6, 2012
-By Shirley Sealy
The problem in Kay and Arnold’s 31-year marriage is apparent from the opening scene. Kay (Meryl Streep) nervously primps in front of a mirror, adjusting the straps of her sexy blue nightgown and fluffing up her hair before she opens a door to find her husband Arnold (Tommy Lee Jones) lying in bed reading a golf magazine. When he wonders aloud why she’s in
his bedroom, she mumbles something about hoping to spend the night with him. After an awkward moment when he comes up with some lame excuse to reject his wife’s offer, she nods understandingly and goes back to her own room—there to lie in bed and think. This is not how a marriage is supposed to be: Kay and Arnie have not slept together in over five years, he doesn’t even touch her anymore and they rarely talk to each other.
Hope Springs could have veered off to become a rather broad and predictable romantic comedy for aging baby-boomers—a movie full of funny platitudes about the need to “work” on relationships, with the husband always resisting and the wife insisting. Actually, that pretty much summarizes what happens to Kay and Arnold, but somehow the film they’re in manages to rise far above its formulaic premise to become an adult love story that’s so uniquely real and touching it can sometimes take your breath away. Credit for this must go, of course, to director David Frankel and his three amazing stars, Ms. Streep, Mr. Jones and Steve Carrell—who plays Dr. Feld, a well-known marriage consultant and sex therapist who ultimately coaxes the shy Kay and the prickly Arnold to confront their broken sex life—and learn how to fix it.
At first, though, Arnold is totally unaware aware that his life with Kay has fallen into a deadly routine—breakfast and dinner at home; work in between; evenings watching TV golf; Sunday dinners with their grown kids and their families. To him, a marriage is successful if it lasts a long time,
period. Arnold is aghast when Kay hands him an airline ticket and says she has already paid for a week of “couples counseling” with Dr. Feld in a place called Great Hope Springs, Maine. Arnie harrumphs around, vowing he’ll never darken the door of
any therapist. But, at the last minute, after watching his wife stubbornly take off alone, he grumpily decides he’d better go too.
Jones’ ultra-sensitive performance is the true revelation here. The actor’s curmudgeonly side has been well-mined in other films, but we’ve never seen him undergo such a difficult and painful emotional transition—from the gruff, closed-off cynic to an enthusiastic friend and empathetic lover. In mid-therapy, when the doctor asks Arnold to describe the best sex he ever had with his wife, Jones’ face visibly softens as he remembers and then relives the joy of that long-ago moment when he and Kay spontaneously made love on their kitchen floor.
And what of Streep? Everybody knows by now that acting-wise, she can do anything—but it’s been a while (probably since
The Bridges of Madison County) that she’s had a chance to be this vulnerable and needy. But when this sad and lonely housewife summons the strength to take back her marriage—well then! She’s willing to risk
anything to get what she wants. Streep’s natural sense of humor comes through too, and she’s especially delicious as she tries to obey Dr. Feld’s instructions by surprising her husband with a new (for her) sex trick at a movie theatre—or when she unthinkingly takes a bite out of the banana she’s supposed to be “practicing” on. Yes, there are some wonderfully frank and funny moments in
Hope Springs, and in less capable hands these moments might have proven embarrassing, if not shocking to watch.
Strangely enough, Steve Carell (who has created more than a few comically brilliant characters) plays it absolutely straight in this one, letting his innate intelligence and basic sweetness shine through—even when he’s asking Kay and Arnold the most outrageous personal questions, or giving them the kinkiest homework assignments.
It would be understandable if
Hope Springs makes some young viewers cringe, as they picture their sixty-ish parents or grandparents romping around the bedroom or kitchen or wherever. And they might scoff at the relative sexual innocence of an older generation. But viewers who can relax and go with the shenanigans in this delightful and insightful movie may come away with a new understanding of what intimacy is all about.