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Harkness plans web seminar on 3D and screen brightness

Jan 20, 2012

Harkness Screens will offer a free web seminar on Feb. 29 on the subject of 3D and screen selection.

The large number of cinemas that are now showing 3D movies has made screen brightness levels an important topic. Because of the low light efficiency of all 3D systems (some are better than others, but all lose a lot of light) the de facto screen brightness standard for 3D presentations is 4.5 foot Lamberts (fL) ,which is only one-third of the agreed standard for 2D of 14fL.

In practice, many 3D screens are operating with much less than 4.5fL and the choice of screen is a significant factor in this. However, it is not just 3D where correct light levels are important—Harkness says there are many cinemas operating in 2D with light levels below 14fL, and a factor here is the higher operating costs of digital projection compared with 35mm film projection. Screen selection is an important consideration in achieving the 14fL brightness standard in 2D presentation.

Harkness’ web seminar will cover the methods for achieving the correct brightness levels for 2D and 3D cinema; the importance of screen selection in achieving desired light levels; how screen choice can optimize operating costs; and how to measure screen brightness.

For further information on this event and to register online, please click here.


Harkness plans web seminar on 3D and screen brightness

Jan 20, 2012

Harkness Screens will offer a free web seminar on Feb. 29 on the subject of 3D and screen selection.

The large number of cinemas that are now showing 3D movies has made screen brightness levels an important topic. Because of the low light efficiency of all 3D systems (some are better than others, but all lose a lot of light) the de facto screen brightness standard for 3D presentations is 4.5 foot Lamberts (fL) ,which is only one-third of the agreed standard for 2D of 14fL.

In practice, many 3D screens are operating with much less than 4.5fL and the choice of screen is a significant factor in this. However, it is not just 3D where correct light levels are important—Harkness says there are many cinemas operating in 2D with light levels below 14fL, and a factor here is the higher operating costs of digital projection compared with 35mm film projection. Screen selection is an important consideration in achieving the 14fL brightness standard in 2D presentation.

Harkness’ web seminar will cover the methods for achieving the correct brightness levels for 2D and 3D cinema; the importance of screen selection in achieving desired light levels; how screen choice can optimize operating costs; and how to measure screen brightness.

For further information on this event and to register online, please click here.

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