Reviews - Major Releases


Film Review: Last Ounce of Courage

Religious-themed drama about standing up for freedom is the very definition of preaching to the choir.

Sept 17, 2012

-By Frank Scheck


filmjournal/photos/stylus/1363278-Last_Ounce_Courage_Md.jpg

For movie details, please click here.

When a movie begins with an extended quote from one of Ronald Reagan’s speeches, you get a pretty good idea of where it’s going, and Last Ounce of Courage doesn’t dash expectations. This religious-themed drama about a small-town mayor’s personal crusade against “the war on Christmas” is about as subtle as the character’s name—Bob Revere.

Clearly aimed to the red-state audience, the film is mainly notable for the appearance of such screen veterans as blaxploitation icon and—looking as beautiful as she did in Summer of ’42—Jennifer O’Neill. Oh, and the fact that a fun if ultimately dangerous drinking game could be devised around the number of times the word “freedom” is uttered onscreen.

Yes, according to the screenplay written by co-director Darrel Campbell, Americans are on the verge of losing every freedom they’ve ever enjoyed, with the film dedicated to the millions who’ve died fighting to preserve them since the country was founded.

Revere (Marshall R. Teague) is immediately identified as a rebel with his first appearance, riding a Harley adorned with an American flag as if he’s just stepped out of Easy Rider. He’s waving goodbye to his son Tom, who’s on a train going off to war, leaving a pregnant wife, Kari (Nikki Novak), who shortly thereafter winds up widowed.

Cut to 14 years later—presumably the film is set in the near-future, since the chronology doesn’t add up—when Kari brings her teenage son Christian (Hunter Gomez) to stay with his grandparents. The reunion goes fairly smoothly until Christian is nearly suspended from school after he’s found in possession of a Bible—it’s not technically against the rules, but the politically correct principal is terrified of lawsuits—which riles his grandfather up to the point where he begins living up to his last name.

Soon, he’s defiantly erecting Christmas trees and putting statues of angels in the town square, prompting retaliatory action by an ACLU-like organization headed by the Grinch-like Warren “The Hammer” Hammerschmidt (played by—who else—Williamson.)

By the time Bob gets jailed for his actions and experiences a minor miracle thanks to the white-bearded figure sharing his cell, the proceedings have gone so completely off the rails that even the most staunch right-wingers will be shaking their heads in befuddlement. This is a film that preaches to its choir with such heavy-handedness that it makes Bill O’Reilly, seen briefly making the same argument, seem understated by comparison.
The Hollywood Reporter


Film Review: Last Ounce of Courage

Religious-themed drama about standing up for freedom is the very definition of preaching to the choir.

Sept 17, 2012

-By Frank Scheck


filmjournal/photos/stylus/1363278-Last_Ounce_Courage_Md.jpg

For movie details, please click here.

When a movie begins with an extended quote from one of Ronald Reagan’s speeches, you get a pretty good idea of where it’s going, and Last Ounce of Courage doesn’t dash expectations. This religious-themed drama about a small-town mayor’s personal crusade against “the war on Christmas” is about as subtle as the character’s name—Bob Revere.

Clearly aimed to the red-state audience, the film is mainly notable for the appearance of such screen veterans as blaxploitation icon and—looking as beautiful as she did in Summer of ’42—Jennifer O’Neill. Oh, and the fact that a fun if ultimately dangerous drinking game could be devised around the number of times the word “freedom” is uttered onscreen.

Yes, according to the screenplay written by co-director Darrel Campbell, Americans are on the verge of losing every freedom they’ve ever enjoyed, with the film dedicated to the millions who’ve died fighting to preserve them since the country was founded.

Revere (Marshall R. Teague) is immediately identified as a rebel with his first appearance, riding a Harley adorned with an American flag as if he’s just stepped out of Easy Rider. He’s waving goodbye to his son Tom, who’s on a train going off to war, leaving a pregnant wife, Kari (Nikki Novak), who shortly thereafter winds up widowed.

Cut to 14 years later—presumably the film is set in the near-future, since the chronology doesn’t add up—when Kari brings her teenage son Christian (Hunter Gomez) to stay with his grandparents. The reunion goes fairly smoothly until Christian is nearly suspended from school after he’s found in possession of a Bible—it’s not technically against the rules, but the politically correct principal is terrified of lawsuits—which riles his grandfather up to the point where he begins living up to his last name.

Soon, he’s defiantly erecting Christmas trees and putting statues of angels in the town square, prompting retaliatory action by an ACLU-like organization headed by the Grinch-like Warren “The Hammer” Hammerschmidt (played by—who else—Williamson.)

By the time Bob gets jailed for his actions and experiences a minor miracle thanks to the white-bearded figure sharing his cell, the proceedings have gone so completely off the rails that even the most staunch right-wingers will be shaking their heads in befuddlement. This is a film that preaches to its choir with such heavy-handedness that it makes Bill O’Reilly, seen briefly making the same argument, seem understated by comparison.
The Hollywood Reporter
Post a Comment
Asterisk (*) is a required field.
* Author: 
Rate This Article: (1=Bad, 5=Perfect)

*Comment:
 

More Major Releases

Wish I Was Here
Film Review: Wish I Was Here

A failing actor learns that his father is dying in Zach Braff's Kickstarter-funded feature. More »

Sex Tape review
Film Review: Sex Tape

Couple's homemade porn circulates on the web in an R-rated comedy that wastes the talents of its stars. More »

The Purge: Anarchy
Film Review: The Purge: Anarchy

A modest but noticeable improvement on its predecessor, The Purge: Anarchy offers a more effective—if still far from ideal—realization of the series' killer premise. More »

Planes
Film Review: Planes: Fire and Rescue

Action-oriented animated sequel that, in blockbuster fashion, offers well-choreographed set-pieces in place of an interesting story and characters. More »

ADVERTISEMENT



REVIEWS

Sex Tape review
Film Review: Sex Tape

Couple's homemade porn circulates on the web in an R-rated comedy that wastes the talents of its stars. More »

The Purge: Anarchy
Film Review: The Purge: Anarchy

A modest but noticeable improvement on its predecessor, The Purge: Anarchy offers a more effective—if still far from ideal—realization of the series' killer premise. More »

Player for the Film Journal International website.


ADVERTISEMENT



INDUSTRY GUIDES

» Blue Sheets
FJI's guide to upcoming movie releases, including films in production and development. Check back weekly for the latest additions.

» Distribution Guide
» Equipment Guide
» Exhibition Guide

ORDER A PRINT SUBSCRIPTION

Film Journal International

Subscribe to the monthly print edition of Film Journal International and get the full visual impact of this valuable resource for the cinema business.

» Click Here

SPONSORSHIP OPPORTUNITIES

Learn how to promote your company at the Film Expo Group events: ShowEast, CineEurope, and CineAsia.

» Click Here