Reviews - Major Releases


Film Review: Jonas Brothers: The 3D Concert Experience

Teen sensations can put on an impressive act, just don’t ask them to fake-act their “rock-star life.”

Feb 27, 2009

-By Sarah Sluis


filmjournal/photos/stylus/72251-Jonas_Bros_Md.jpg

For movie details, please click here.

For those who only know the three Jonas Brothers from their triplet-like pictures on the red carpet, attired in tight pants and male-model ensembles, it may come as a surprise that their different personalities emerge on the concert stage. Joe Jonas likes to pick up the microphone stand and wield it emphatically as he sings a chorus. Nick Jonas, whose talent inspired the formation of the group, switches between drums, singing, piano and strings, and comes off as the silent-but-strong type. Kevin Jonas, the oldest brother, seems like he’s just along for the ride, but still strums along on his guitar and mugs for the camera. These are the Jonas Brothers, in 3D, in concert, cocooned by screaming, clawing fans who hyperventilate when in arm’s length of the brothers.

A Disney-bred pop sensation that first gained notoriety opening for Miley Cyrus, that other teen queen (including a performance in her 3D film, Hannah Montana and Miley Cyrus: The Best of Both Worlds Concert), the Jonas Brothers have a meticulous façade and giddy enthusiasm that reveals both their professionalism and their youth. Their crying, manic fans may need no more than their presence to be fulfilled, but a sidelined parent or observer can’t help but admire their energy and athleticism. The boys run up and down the stage as if they’re engaging in shuttle runs. They perform flips, tumbles, and slides. Most dangerous of all, they occasionally reach out to touch one of their fans.

Captured in 3D, the Madison Square Garden stage has the same depth and impact as being there in person, albeit in a bleacher seat. As the crane sweeps over members of the crowd, the foreground pops with a sea of illuminated lights purchased by fans. The Jonas Brothers also throw guitar picks and sunglasses at the camera, probably following instructions intended to give the film that extreme 3D effect. They pretend the camera is one of their teen fans, and have no qualms looking straight into the lens or extending a hand, making it seem as if an actual Jonas Brother is touching you.

The concert segments are strung together with 2D scenes of the Jonas Brothers “living the life.” A mundane scene of the boys eating room service is followed up by the ridiculous: poor imitations of fans (I suppose it is hard to have extras replicate a mental breakdown) hotly pursuing the brothers through the streets and up a skyscraper before they escape in a helicopter. Pretend Beatlemania isn’t really necessary, given that an actual appearance at a Times Square record store results in New Year’s Eve-level throngs requiring NYPD crowd control. The boys are definitely the Real Deal, so why does the “rockumentary” insist on faking so much of the backstage material?

The clips that break apart the boys’ concert are the weakest part of the 70-minute film, which needs more of a narrative, or some kind of tension, to maintain interest. In this age of “celebreality” over-sharing, there is neither substance nor trivia to make these interludes entertaining. Adults curious about how the boys’ famed purity rings alter their lifestyle, or pre-teens in search of minutiae, will find little to sustain them, save the boys’ favorite type of room service jelly (peach). Despite these shortcomings, the film is sure to be a hit for budget-conscious fans unable to secure a ticket to their concert, and enough of a curiosity to sustain adults whose kids aren’t old enough to do the drop-off. Jonas Brothers: The 3D Concert Experience provides concrete evidence that these boys are not merely managed and packaged teen idols but accomplished performers—and at least two of the three will be around in years to come.


Film Review: Jonas Brothers: The 3D Concert Experience

Teen sensations can put on an impressive act, just don’t ask them to fake-act their “rock-star life.”

Feb 27, 2009

-By Sarah Sluis


filmjournal/photos/stylus/72251-Jonas_Bros_Md.jpg

For movie details, please click here.

For those who only know the three Jonas Brothers from their triplet-like pictures on the red carpet, attired in tight pants and male-model ensembles, it may come as a surprise that their different personalities emerge on the concert stage. Joe Jonas likes to pick up the microphone stand and wield it emphatically as he sings a chorus. Nick Jonas, whose talent inspired the formation of the group, switches between drums, singing, piano and strings, and comes off as the silent-but-strong type. Kevin Jonas, the oldest brother, seems like he’s just along for the ride, but still strums along on his guitar and mugs for the camera. These are the Jonas Brothers, in 3D, in concert, cocooned by screaming, clawing fans who hyperventilate when in arm’s length of the brothers.

A Disney-bred pop sensation that first gained notoriety opening for Miley Cyrus, that other teen queen (including a performance in her 3D film, Hannah Montana and Miley Cyrus: The Best of Both Worlds Concert), the Jonas Brothers have a meticulous façade and giddy enthusiasm that reveals both their professionalism and their youth. Their crying, manic fans may need no more than their presence to be fulfilled, but a sidelined parent or observer can’t help but admire their energy and athleticism. The boys run up and down the stage as if they’re engaging in shuttle runs. They perform flips, tumbles, and slides. Most dangerous of all, they occasionally reach out to touch one of their fans.

Captured in 3D, the Madison Square Garden stage has the same depth and impact as being there in person, albeit in a bleacher seat. As the crane sweeps over members of the crowd, the foreground pops with a sea of illuminated lights purchased by fans. The Jonas Brothers also throw guitar picks and sunglasses at the camera, probably following instructions intended to give the film that extreme 3D effect. They pretend the camera is one of their teen fans, and have no qualms looking straight into the lens or extending a hand, making it seem as if an actual Jonas Brother is touching you.

The concert segments are strung together with 2D scenes of the Jonas Brothers “living the life.” A mundane scene of the boys eating room service is followed up by the ridiculous: poor imitations of fans (I suppose it is hard to have extras replicate a mental breakdown) hotly pursuing the brothers through the streets and up a skyscraper before they escape in a helicopter. Pretend Beatlemania isn’t really necessary, given that an actual appearance at a Times Square record store results in New Year’s Eve-level throngs requiring NYPD crowd control. The boys are definitely the Real Deal, so why does the “rockumentary” insist on faking so much of the backstage material?

The clips that break apart the boys’ concert are the weakest part of the 70-minute film, which needs more of a narrative, or some kind of tension, to maintain interest. In this age of “celebreality” over-sharing, there is neither substance nor trivia to make these interludes entertaining. Adults curious about how the boys’ famed purity rings alter their lifestyle, or pre-teens in search of minutiae, will find little to sustain them, save the boys’ favorite type of room service jelly (peach). Despite these shortcomings, the film is sure to be a hit for budget-conscious fans unable to secure a ticket to their concert, and enough of a curiosity to sustain adults whose kids aren’t old enough to do the drop-off. Jonas Brothers: The 3D Concert Experience provides concrete evidence that these boys are not merely managed and packaged teen idols but accomplished performers—and at least two of the three will be around in years to come.
Post a Comment
Asterisk (*) is a required field.
* Author: 
Rate This Article: (1=Bad, 5=Perfect)

*Comment:
 

More Major Releases

Chronicle
Film Review: Chronicle

This tale of three teenage boys who bond and cavort after being suddenly invested with supernatural powers is quite effective. The only thing is, it’s not really scary. Revenge, yes. Chills and thrills, no. More »

The Woman in Black
Film Review: The Woman in Black

The unimaginative approach of both director and screenwriter make this attempt at classy horror singularly uninvolving and lacking in the essential element of surprise. More »

Big_Miracle_
Film Review: Big Miracle

Fictional treatment of the 1988 effort to rescue three whales trapped under Alaskan ice features a wide-ranging cast of characters and offers solid family entertainment. More »

One for the Money
Film Review: One for the Money

Janet Evanovich’s best-selling Stephanie Plum series deserved better than this woefully executed, stillborn attempt at a franchise. More »

ADVERTISEMENT



REVIEWS

The Woman in Black
Film Review: The Woman in Black

The unimaginative approach of both director and screenwriter make this attempt at classy horror singularly uninvolving and lacking in the essential element of surprise. More »

Big_Miracle_
Film Review: Big Miracle

Fictional treatment of the 1988 effort to rescue three whales trapped under Alaskan ice features a wide-ranging cast of characters and offers solid family entertainment. More »

Player for the Film Journal International website.


ADVERTISEMENT



INDUSTRY GUIDES

» Blue Sheets
FJI's guide to upcoming movie releases, including films in production and development. Check back weekly for the latest additions.

» Distribution Guide
» Equipment Guide
» Exhibition Guide

ORDER A PRINT SUBSCRIPTION

Film Journal International

Subscribe to the monthly print edition of Film Journal International and get the full visual impact of this valuable resource for the cinema business.

» Click Here

SPONSORSHIP OPPORTUNITIES

Learn how to promote your company at the Film Expo Group events: ShowEast, CineEurope, and CineAsia.

» Click Here