Reviews - Major Releases


Film Review: Scary Movie 5

Spoofing movies ranging from Black Swan to Mama to Paranormal Activity, this installment of the profitable series is woefully, painfully unfunny.

April 12, 2013

-By Frank Scheck


filmjournal/photos/stylus/1375348-Scary_Movie_5_Md.jpg

For movie details, please click here.

You have to at least give Scary Movie 5 points for timeliness. This latest installment of the horror-movie spoof franchise manages to deliver parodies of movies as recent as last week’s Evil Dead remake, not to mention one that hasn’t even been made yet (Fifty Shades of Grey). But those points immediately are subtracted by the fact that this Wayans-less installment doesn’t manage to wrest a single laugh from any one of them.

Directed by Malcolm D. Lee and co-written and produced by the venerable David Zucker (Airplane!, The Naked Gun), Scary Movie 5 demonstrates that the latter has definitely lost his comic mojo. The film, which opened without being screened for the press, unspooled to an opening-day audience that produced a deafening silence.

If you’ve seen the trailer, you’ve already seen the most notorious segment, in which Charlie Sheen and Lindsay Lohan enthusiastically—if sadly—make fun of their naughty personas in a clownish opening sex sequence riffing on the Paranormal Activity series. It’s pretty much all downhill from there.

The filmmakers’ desperation is evident from the fact that a good chunk of the running time is devoted to spoofing the recent Jessica Chastain starrer Mama. While that film was indeed a sleeper hit, it hardly seems memorable enough to warrant such sustained treatment, and indeed the comic payoffs are nil.

Otherwise, it’s mostly a jumbled-together collection of sketches riffing on a disparate group of films including Rise of the Planet of the Apes, Inception, Cabin in the Woods, Paranormal Activity and its sequels and even Black Swan. Resembling the sort of lame bits relegated to the closing minutes of “Saturday Night Live” when airtime must be filled and featuring narration by a Morgan Freeman sound-alike, their collective lameness is numbing.

Ashley Tisdale and Simon Rex anchor the film’s loose plotline mashing together parodies of Mama and Black Swan, and while both performers certainly are game, neither possesses the comic chops necessary to keep the proceedings afloat. The rest of the cast consists largely of major and minor celebrities popping in for silly cameos, including Heather Locklear, Terry Crews, Mike Tyson, Snoop Dogg, Katt Williams, Jerry O’Connell, Usher and others too numerous to mention. Only Molly Shannon—playing a demented, accident-prone ballerina—manages to impress with her sheer determination to be funny, even if she never quite succeeds.

Director Lee periodically speeds up the film to produce a comic effect, though sadly not enough to reduce its seemingly interminable 85-minute running time. The inevitable outtakes during the closing credits indicate that the performers, at least, managed to get some laughs out of the experience.
The Hollywood Reporter


Film Review: Scary Movie 5

Spoofing movies ranging from Black Swan to Mama to Paranormal Activity, this installment of the profitable series is woefully, painfully unfunny.

April 12, 2013

-By Frank Scheck


filmjournal/photos/stylus/1375348-Scary_Movie_5_Md.jpg

For movie details, please click here.

You have to at least give Scary Movie 5 points for timeliness. This latest installment of the horror-movie spoof franchise manages to deliver parodies of movies as recent as last week’s Evil Dead remake, not to mention one that hasn’t even been made yet (Fifty Shades of Grey). But those points immediately are subtracted by the fact that this Wayans-less installment doesn’t manage to wrest a single laugh from any one of them.

Directed by Malcolm D. Lee and co-written and produced by the venerable David Zucker (Airplane!, The Naked Gun), Scary Movie 5 demonstrates that the latter has definitely lost his comic mojo. The film, which opened without being screened for the press, unspooled to an opening-day audience that produced a deafening silence.

If you’ve seen the trailer, you’ve already seen the most notorious segment, in which Charlie Sheen and Lindsay Lohan enthusiastically—if sadly—make fun of their naughty personas in a clownish opening sex sequence riffing on the Paranormal Activity series. It’s pretty much all downhill from there.

The filmmakers’ desperation is evident from the fact that a good chunk of the running time is devoted to spoofing the recent Jessica Chastain starrer Mama. While that film was indeed a sleeper hit, it hardly seems memorable enough to warrant such sustained treatment, and indeed the comic payoffs are nil.

Otherwise, it’s mostly a jumbled-together collection of sketches riffing on a disparate group of films including Rise of the Planet of the Apes, Inception, Cabin in the Woods, Paranormal Activity and its sequels and even Black Swan. Resembling the sort of lame bits relegated to the closing minutes of “Saturday Night Live” when airtime must be filled and featuring narration by a Morgan Freeman sound-alike, their collective lameness is numbing.

Ashley Tisdale and Simon Rex anchor the film’s loose plotline mashing together parodies of Mama and Black Swan, and while both performers certainly are game, neither possesses the comic chops necessary to keep the proceedings afloat. The rest of the cast consists largely of major and minor celebrities popping in for silly cameos, including Heather Locklear, Terry Crews, Mike Tyson, Snoop Dogg, Katt Williams, Jerry O’Connell, Usher and others too numerous to mention. Only Molly Shannon—playing a demented, accident-prone ballerina—manages to impress with her sheer determination to be funny, even if she never quite succeeds.

Director Lee periodically speeds up the film to produce a comic effect, though sadly not enough to reduce its seemingly interminable 85-minute running time. The inevitable outtakes during the closing credits indicate that the performers, at least, managed to get some laughs out of the experience.
The Hollywood Reporter
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