-By Frank Scheck
For movie details, please click here.
Tim Allen clearly called in some chits for his directorial debut,
having snared an unusually starry cast for this indie effort about
an ex-con trying to go straight. But despite Allen's appealing
performance in the lead role and solid supporting turns by the
likes of Sigourney Weaver, Ray Liotta, Jeanne Tripplehorn and
Kelsey Grammer, among others, Crazy on the Outside is ultimately as
generic and forgettable as its title.
The story begins with Tommy's (Allen) release from prison after
serving a three-year stint for video piracy (perhaps this is what
appealed to the film's financiers). The would-be wackiness ensues
when he learns that his habitually lying sister, Vicky (Weaver),
has told his grandmother that he's been in France, resulting in
much Gallic-oriented humor when he returns home.
After dutifully reporting to his no-nonsense parole officer Angela
(Tripplehorn), Tommy lands a job at a pirate-themed fast-food
restaurant (cue "Rrrrr" jokes), though what he really wants is to
resume his late father's house-painting business. Further
complications involve the sudden reappearances of his old flame,
Christy (Julie Bowen), who his sister had informed him was dead,
and Gray (Liotta), his old partner in crime who attempts to woo him
back into his underworld activities.
Resembling a sitcom-style remake of the gritty Dustin Hoffman
classic Straight Time (the screenplay was written by TV comedy
veterans Judd Pillot and John Peaslee, of "Just Shoot Me" and
"Eight Simple Rules," respectively), the film awkwardly veers
between sensitive drama—Tommy and his parole officer begin a
tentative relationship, encouraged by her adorable teen son—and
farcical humor.
It's understandable that Allen would want to break free of his
Disney mold, and his performance hints at depths that the film
unfortunately doesn't support. But with neither the dramatic nor
comedic aspects of the storyline being remotely convincing, the
best efforts of the talented cast go for naught.
-
The Hollywood Reporter
Film Review: Crazy on the Outside
Tim Allen's directorial debut, a strained comedy-drama about an ex-con trying to go straight, isn't nearly crazy enough.
Jan 14, 2010
-By Frank Scheck
For movie details, please click here.
Tim Allen clearly called in some chits for his directorial debut, having snared an unusually starry cast for this indie effort about an ex-con trying to go straight. But despite Allen's appealing performance in the lead role and solid supporting turns by the likes of Sigourney Weaver, Ray Liotta, Jeanne Tripplehorn and Kelsey Grammer, among others, Crazy on the Outside is ultimately as generic and forgettable as its title.
The story begins with Tommy's (Allen) release from prison after serving a three-year stint for video piracy (perhaps this is what appealed to the film's financiers). The would-be wackiness ensues when he learns that his habitually lying sister, Vicky (Weaver), has told his grandmother that he's been in France, resulting in much Gallic-oriented humor when he returns home.
After dutifully reporting to his no-nonsense parole officer Angela (Tripplehorn), Tommy lands a job at a pirate-themed fast-food restaurant (cue "Rrrrr" jokes), though what he really wants is to resume his late father's house-painting business. Further complications involve the sudden reappearances of his old flame, Christy (Julie Bowen), who his sister had informed him was dead, and Gray (Liotta), his old partner in crime who attempts to woo him back into his underworld activities.
Resembling a sitcom-style remake of the gritty Dustin Hoffman classic Straight Time (the screenplay was written by TV comedy veterans Judd Pillot and John Peaslee, of "Just Shoot Me" and "Eight Simple Rules," respectively), the film awkwardly veers between sensitive drama—Tommy and his parole officer begin a tentative relationship, encouraged by her adorable teen son—and farcical humor.
It's understandable that Allen would want to break free of his Disney mold, and his performance hints at depths that the film unfortunately doesn't support. But with neither the dramatic nor comedic aspects of the storyline being remotely convincing, the best efforts of the talented cast go for naught.
-
The Hollywood Reporter
