-By David Noh
For movie details, please click here.
A Korean period version of Mark Twain’s
The Prince and the
Pauper,
Masquerade tells the story of King Gwang-hae
(Lee Byeong-heon), an unpopular monarch who, paranoid about
assassination attempts, finds a lowly comic performer, Ha Seon
(also Lee), with identical features to impersonate him. Everyone is
fooled for a while, but then the King becomes seriously ill and is
removed from court to recover, while his doppelganger must
seriously up his royal game. Instead of merely being a stooge for
the King’s conniving advisors, however, Ha Seon has an “A-ha!”
moment regarding the rampant corruption of the court and unjustness
to the common people, and sets about to right things.
Director Choo Chang-min has made a sweepingly entertaining,
lavishly appointed spectacle from Hwang Jo-yoon’s smart script. The
elaborate rituals of the royal court are observed with vibrant
detail and much humor, as when Ha Seon, pretending to be the
monarch, startlingly finds a full, obeisant audience of courtiers
assembled every morning to congratulate him on his morning
defecation (which is then thoroughly examined
and—shuddersomely—even tasted by his personal physician). The basic
premise is beyond hoary, of course, also popping up in other old
chestnuts like
The Prisoner of Zenda, but it’s quite amazing
how smoothly it still works when executed as well as it is here.
The design elements are often breathtakingly beautiful and the
cinematography handsomely deep-toned.
Naturally, much of the efficacy of the piece hangs on its lead
actor in a dual role, and the aristocratically handsome, versatile
Lee Byeong-heon really delivers the goods. He convincingly
expresses the King’s arrogance and ruthlessness, while making Ha
Seon a highly ingratiating Everyman, blessed with a sense of fun
which lightens things at all times. Han Hyo-joo is lovely and
intelligent as the neglected Queen, who might have been given more
to do, and Ryoo Seung-yong, as the chief advisor, and Jang Gwang,
in a touching portrait of the head eunuch, lend strong support at
court.
Film Review: Masquerade
Lavishly entertaining Korean period spectacle works on every level from an ancient but still effective source.
Sept 25, 2012
-By David Noh
For movie details, please click here.
A Korean period version of Mark Twain’s
The Prince and the Pauper,
Masquerade tells the story of King Gwang-hae (Lee Byeong-heon), an unpopular monarch who, paranoid about assassination attempts, finds a lowly comic performer, Ha Seon (also Lee), with identical features to impersonate him. Everyone is fooled for a while, but then the King becomes seriously ill and is removed from court to recover, while his doppelganger must seriously up his royal game. Instead of merely being a stooge for the King’s conniving advisors, however, Ha Seon has an “A-ha!” moment regarding the rampant corruption of the court and unjustness to the common people, and sets about to right things.
Director Choo Chang-min has made a sweepingly entertaining, lavishly appointed spectacle from Hwang Jo-yoon’s smart script. The elaborate rituals of the royal court are observed with vibrant detail and much humor, as when Ha Seon, pretending to be the monarch, startlingly finds a full, obeisant audience of courtiers assembled every morning to congratulate him on his morning defecation (which is then thoroughly examined and—shuddersomely—even tasted by his personal physician). The basic premise is beyond hoary, of course, also popping up in other old chestnuts like
The Prisoner of Zenda, but it’s quite amazing how smoothly it still works when executed as well as it is here. The design elements are often breathtakingly beautiful and the cinematography handsomely deep-toned.
Naturally, much of the efficacy of the piece hangs on its lead actor in a dual role, and the aristocratically handsome, versatile Lee Byeong-heon really delivers the goods. He convincingly expresses the King’s arrogance and ruthlessness, while making Ha Seon a highly ingratiating Everyman, blessed with a sense of fun which lightens things at all times. Han Hyo-joo is lovely and intelligent as the neglected Queen, who might have been given more to do, and Ryoo Seung-yong, as the chief advisor, and Jang Gwang, in a touching portrait of the head eunuch, lend strong support at court.