Reviews - Specialty Releases


Film Review: At Any Price

Tale of conflict between an Iowa farmer and his rebellious racecar-driver son goes to darker places than the usual heartland drama.

April 22, 2013

-By Kevin Lally


filmjournal/photos/stylus/1375798-At-Any-Price-Md.jpg

For movie details, please click here.

After making the rounds of major film festivals like Venice, Toronto and Telluride in 2012 and beyond, Ramin Bahrani’s At Any Price finally arrives on commercial screens in late April. It’s the kind of character-driven drama that used to be a staple of the major studios but has now been relegated to the art house. Breaking out beyond the specialty market will be more of a challenge in this case because those characters aren’t especially likeable, however much they represent the struggle of today’s farmer in an increasingly industrialized business.

Dennis Quaid, currently in his first regular TV gig on the CBS series “Vegas,” returns to movie leading-man chores as Henry Whipple, an Iowa farmer who’s embraced the modern methods of growing genetically modified corn and expanded his property to 3,000 acres. When we first meet Henry, we see the kind of aggressiveness that fueled his success, as he corners a mourning heir at a funeral and tries to make a deal for the land his father left behind. Henry’s oldest son Grant, a onetime college football star, has left the farm to satisfy his craving for travel and adventures, leaving Henry to place his hopes on younger son Dean (Zac Efron), who is a star on the local stock-car racing circuit and dreams of NASCAR glory. Needless to say, father and son don’t share the same vision for the future.

Director Bahrani and his co-writer Hallie Elizabeth Newton don’t go out of their way to endear either character to the audience. Henry is cheating on his patient wife Irene (Kim Dickens) with a pretty blonde named Meredith (Heather Graham), and Dean isn’t above shooting out a store window to steal an expensive part for his car. Beyond his extramarital affair, Henry harbors a more potentially damaging secret: He’s been violating his contract as a salesman for agri-giant Liberty Seeds by selling re-used GMO corn seed.

As fate (and screenplays) would have it, Dean’s chief nemesis on the racing circuit is the son of Henry’s most formidable sales rival, Jim Johnson (Clancy Brown). That double animus leads to a startling confrontation which takes At Any Price to an unexpectedly dark and disturbing new level.

Bringing much-needed heart to the film is Dean’s girlfriend Cadence (appealing newcomer Maika Monroe), who comes from a dysfunctional family and develops a tender bond with both father and son. (In fact, after joining Henry on his business rounds, she reveals a natural talent for sales.)

Quaid and Efron (once again branching out impressively from his teen-idol roots) are each unafraid to show the less savory aspects of their characters’ small-town charisma. (From that opening scene at the funeral, it’s clear what festers beneath Henry’s blustery charm offensive.) Ultimately, At Any Price is a tragic story, but it’s a tragedy that doesn’t necessarily resolve in the way you’d expect. Like all that artificially manipulated seed, there’s something happening below the surface these characters don’t want to acknowledge.


Film Review: At Any Price

Tale of conflict between an Iowa farmer and his rebellious racecar-driver son goes to darker places than the usual heartland drama.

April 22, 2013

-By Kevin Lally


filmjournal/photos/stylus/1375798-At-Any-Price-Md.jpg

For movie details, please click here.

After making the rounds of major film festivals like Venice, Toronto and Telluride in 2012 and beyond, Ramin Bahrani’s At Any Price finally arrives on commercial screens in late April. It’s the kind of character-driven drama that used to be a staple of the major studios but has now been relegated to the art house. Breaking out beyond the specialty market will be more of a challenge in this case because those characters aren’t especially likeable, however much they represent the struggle of today’s farmer in an increasingly industrialized business.

Dennis Quaid, currently in his first regular TV gig on the CBS series “Vegas,” returns to movie leading-man chores as Henry Whipple, an Iowa farmer who’s embraced the modern methods of growing genetically modified corn and expanded his property to 3,000 acres. When we first meet Henry, we see the kind of aggressiveness that fueled his success, as he corners a mourning heir at a funeral and tries to make a deal for the land his father left behind. Henry’s oldest son Grant, a onetime college football star, has left the farm to satisfy his craving for travel and adventures, leaving Henry to place his hopes on younger son Dean (Zac Efron), who is a star on the local stock-car racing circuit and dreams of NASCAR glory. Needless to say, father and son don’t share the same vision for the future.

Director Bahrani and his co-writer Hallie Elizabeth Newton don’t go out of their way to endear either character to the audience. Henry is cheating on his patient wife Irene (Kim Dickens) with a pretty blonde named Meredith (Heather Graham), and Dean isn’t above shooting out a store window to steal an expensive part for his car. Beyond his extramarital affair, Henry harbors a more potentially damaging secret: He’s been violating his contract as a salesman for agri-giant Liberty Seeds by selling re-used GMO corn seed.

As fate (and screenplays) would have it, Dean’s chief nemesis on the racing circuit is the son of Henry’s most formidable sales rival, Jim Johnson (Clancy Brown). That double animus leads to a startling confrontation which takes At Any Price to an unexpectedly dark and disturbing new level.

Bringing much-needed heart to the film is Dean’s girlfriend Cadence (appealing newcomer Maika Monroe), who comes from a dysfunctional family and develops a tender bond with both father and son. (In fact, after joining Henry on his business rounds, she reveals a natural talent for sales.)

Quaid and Efron (once again branching out impressively from his teen-idol roots) are each unafraid to show the less savory aspects of their characters’ small-town charisma. (From that opening scene at the funeral, it’s clear what festers beneath Henry’s blustery charm offensive.) Ultimately, At Any Price is a tragic story, but it’s a tragedy that doesn’t necessarily resolve in the way you’d expect. Like all that artificially manipulated seed, there’s something happening below the surface these characters don’t want to acknowledge.
Post a Comment
Asterisk (*) is a required field.
* Author: 
Rate This Article: (1=Bad, 5=Perfect)

*Comment:
 

More Specialty Releases

BBoy for Life
Film Review: BBoy for Life

The dancing is familiar but the stakes are higher in this moving documentary set in a country with one of the highest murder rates in the world. More »

Manakamana
Film Review: Manakamana

An observational documentary in which the camera captures the passengers of a cable-car cabin in Nepal. More »

Visions of Mary Frank
Film Review: Visions of Mary Frank

Deeply loving, if too slight, documentary about one of the great beauties of the New York art world, who always forged her own path. More »

The Jewish Cardinal
Film Review: The Jewish Cardinal

Informative, absorbing, but as obvious as its title and a bit too glib for its own good, this French import will appeal mainly to religious addicts fascinated by the feverishly agenda-ridden internal workings of the Catholic Church. More »

ADVERTISEMENT



REVIEWS

Draft Day
Film Review: Draft Day

Pro football manager faces crises on the most important day of his career in a well-tooled vehicle for Kevin Costner. More »

Rio 2
Film Review: Rio 2

Busy sequel to the popular animated feature follows the original's blue macaws on a journey from Rio de Janeiro to an endangered rainforest. More »

Player for the Film Journal International website.


ADVERTISEMENT



INDUSTRY GUIDES

» Blue Sheets
FJI's guide to upcoming movie releases, including films in production and development. Check back weekly for the latest additions.

» Distribution Guide
» Equipment Guide
» Exhibition Guide

ORDER A PRINT SUBSCRIPTION

Film Journal International

Subscribe to the monthly print edition of Film Journal International and get the full visual impact of this valuable resource for the cinema business.

» Click Here

SPONSORSHIP OPPORTUNITIES

Learn how to promote your company at the Film Expo Group events: ShowEast, CineEurope, and CineAsia.

» Click Here