Reviews - Specialty Releases


Film Review: Brief Reunion

Solid performances buoy a contrived suspense tale.

Jan 16, 2013

-By John DeFore


filmjournal/photos/stylus/1370358-Brief_Reunion_Md.jpg

For movie details, please click here.

Facebook is a villain's best friend in Brief Reunion, a lukewarm buried-secrets thriller that starts with inappropriate friending, progresses to unwelcome photo tagging, and pretty soon finds somebody burying a body in the woods. John Daschbach's debut has a hard time braiding plotlines into a tight noose for its endangered protagonist (and is crippled by an amateurish opening credits sequence unrepresentative of the film's overall craftsmanship). Solid performances keep it watchable, but commercial prospects are meager.

Joel de la Fuente stars as Aaron, an entrepreneur living a comfortable life somewhere in wooded New England. (Despite offering some lovely scenery, the movie has no feel for the actual community Aaron and his wife Lea inhabit.) The sudden arrival of onetime friend Teddy (Scott Shepherd) seems at first a mere social dilemma: Teddy, a mooch back in college, is much too eager to insinuate himself into the couple's dinner plans and social-media networks. But when Teddy's conversation keeps turning to subjects Aaron doesn't want raised, it becomes clear he has some kind of extortion on his mind.

Shepherd (whose transfixing performance in the eight-hour stage production Gatz makes the idea of Baz Luhrmann's glitzy Great Gatsby sound dull) fills the role of unwanted buddy nicely, seeming almost sincere in his desire for friendship despite his tactics. But Daschbach's script can't quite decide which threat it wants us to worry about—the exposure of possibly shady business dealings, or that of an old girlfriend Aaron has kept secret from his wife—and de la Fuente's mostly calm response to Teddy's revelations reflects the filmmaker's indecision.

Things do eventually go bad, with Aaron getting himself into some unambiguous trouble, but the film's failure to raise the temperature gradually leaves viewers less involved than we should be. Absent a noir-ish percolation, the character's desperate decisions feel hollow.
The Hollywood Reporter


Film Review: Brief Reunion

Solid performances buoy a contrived suspense tale.

Jan 16, 2013

-By John DeFore


filmjournal/photos/stylus/1370358-Brief_Reunion_Md.jpg

For movie details, please click here.

Facebook is a villain's best friend in Brief Reunion, a lukewarm buried-secrets thriller that starts with inappropriate friending, progresses to unwelcome photo tagging, and pretty soon finds somebody burying a body in the woods. John Daschbach's debut has a hard time braiding plotlines into a tight noose for its endangered protagonist (and is crippled by an amateurish opening credits sequence unrepresentative of the film's overall craftsmanship). Solid performances keep it watchable, but commercial prospects are meager.

Joel de la Fuente stars as Aaron, an entrepreneur living a comfortable life somewhere in wooded New England. (Despite offering some lovely scenery, the movie has no feel for the actual community Aaron and his wife Lea inhabit.) The sudden arrival of onetime friend Teddy (Scott Shepherd) seems at first a mere social dilemma: Teddy, a mooch back in college, is much too eager to insinuate himself into the couple's dinner plans and social-media networks. But when Teddy's conversation keeps turning to subjects Aaron doesn't want raised, it becomes clear he has some kind of extortion on his mind.

Shepherd (whose transfixing performance in the eight-hour stage production Gatz makes the idea of Baz Luhrmann's glitzy Great Gatsby sound dull) fills the role of unwanted buddy nicely, seeming almost sincere in his desire for friendship despite his tactics. But Daschbach's script can't quite decide which threat it wants us to worry about—the exposure of possibly shady business dealings, or that of an old girlfriend Aaron has kept secret from his wife—and de la Fuente's mostly calm response to Teddy's revelations reflects the filmmaker's indecision.

Things do eventually go bad, with Aaron getting himself into some unambiguous trouble, but the film's failure to raise the temperature gradually leaves viewers less involved than we should be. Absent a noir-ish percolation, the character's desperate decisions feel hollow.
The Hollywood Reporter
Post a Comment
Asterisk (*) is a required field.
* Author: 
Rate This Article: (1=Bad, 5=Perfect)

*Comment:
 

More Specialty Releases

Kings of Summer
Film Review: The Kings of Summer

With its verve, freshness, laughs and effective moments of rue, this youthful idyll is the perfect summer movie for 2013. More »

Fill the Void
Film Review: Fill the Void

Israel’s official submission for Oscar’s 2012 Best Foreign Language Film is a stunning melodrama centered on an ultra-Orthodox Jewish community and prospects for a tragedy-fueled arranged marriage between a teen and older man. The film is also a nice marriage of affecting art and impressive craft. More »

Kid-Thing
Film Review: Kid-Thing

Artful but slim study of an isolated young girl is destined for fringe exposure. More »

Nancy, Please
Film Review: Nancy, Please

Andrew Semans presents an engrossing psychological thriller for his feature debut. More »

ADVERTISEMENT



REVIEWS

Fast & Furious 6 review
Film Review: Fast & Furious 6

Car-racing gang is back to battle a super-villain who wants to unleash a "tech bomb" in this super-sized Fast & Furious entry. More »

Star Trek Into Darkness
Film Review: Star Trek Into Darkness

The post-conversion 3D is disappointing, but the newest Star Trek adventure remains exciting summer entertainment with a most appealing ensemble cast. More »

Player for the Film Journal International website.


ADVERTISEMENT



INDUSTRY GUIDES

» Blue Sheets
FJI's guide to upcoming movie releases, including films in production and development. Check back weekly for the latest additions.

» Distribution Guide
» Equipment Guide
» Exhibition Guide

ORDER A PRINT SUBSCRIPTION

Film Journal International

Subscribe to the monthly print edition of Film Journal International and get the full visual impact of this valuable resource for the cinema business.

» Click Here

SPONSORSHIP OPPORTUNITIES

Learn how to promote your company at the Film Expo Group events: ShowEast, CineEurope, and CineAsia.

» Click Here