Reviews - Specialty Releases


Film Review: American Empire: An Act of Collective Madness

When Woodrow Wilson is a villain in your movie, viewer beware!

Dec 11, 2012

-By Eric Monder


filmjournal/photos/stylus/1369068-American_Empire_Md.jpg

For movie details, please click here.

What is supposed to be a radical-left film, American Empire: An Act of Collective Madness comes across at first as a right-wing tract. Why? Because filmmaker Patrea Patrick’s opening message about the evils of the Federal Reserve sounds as loopy as the utterances from the Republican Party candidates during the last general election primaries. (Does anyone remember Gov. Rick Perry threatening to assault Fed Chair Ben Bernanke?) Late in the documentary, we even hear one interviewee bellow, “We need to take our country back!” While this doesn’t mean we should ignore the film’s other research or the individual views of some of the other on-camera speakers, it does mean that most audiences will reject American Empire out of hand.

Not to be confused with at least one other recent film with a similar title, American Empire begins by tracing the history of tax policy stemming from the Federal Reserve Act. Patrick, who directed, photographed, edited, co-wrote and co-produced this seriously low-budget project, then makes the case that America has become an empire thanks to the corporations that run Washington via lobby power. Though this part of Patrick’s argument is not new, it at least makes sense and was at the heart of the 99% protests of last year.

But Patrick’s implications contain a central flaw: If we accept the fact that there is only a plutocracy in charge and that there are no differences between the two major political parties, then why should anyone left-of-center be at all pleased that Barack Obama was re-elected? According to Patrick, we shouldn’t be pleased—Mitt Romney would have been just as good or bad. But didn’t this thinking lead liberals to getting George W. Bush in 2000?

Patrick and some of her on-camera subjects, a mix of the erudite and the obnoxious, including Tariq Ali, Vandana Shiva, G. Edward Griffin, Maude Barlow, John Perkins, Gerald Celente, Jeffrey Smith, John Robbins and David Korten, seem to suggest that we need a Ralph Nadar type (along with a Facebook revolution) to lead us out of this predicament. No, Nadar isn’t interviewed or even mentioned (Patrick is smarter than to do that), but her film would make a great p.r. promotion piece for the next Nadar.

Patrick is correct about nearly all her concerns—insecticides poisoning our food (an outgrowth of the mega-farming industry), the health risks of genetically modified foods, oil dependency—but her implied solution is the problem. No Nadar type will ever be elected President and it is foolish to think one will. Electing—and putting public pressure on—liberal Democrats is a much more practical and immediate way to achieve the kind of sociopolitical and economic change American Empire so desires.

Back to Woodrow Wilson. Sure, Wilson had his flaws (and approving the Federal Reserve Act may or may not have been one of them), but he was an admirably liberal U.S. President. It seems downright ignorant in the post-Bush age to equate Wilson with the kind of right-wing failures we’ve experienced through the years, and the film’s section about creating a revolution comes across as quaint.

Sorry to say, while raising issues worth discussing—and some of the alarmism is valid—American Empire: An Act of Collective Madness allies itself with a dubious way to address these matters.


Film Review: American Empire: An Act of Collective Madness

When Woodrow Wilson is a villain in your movie, viewer beware!

Dec 11, 2012

-By Eric Monder


filmjournal/photos/stylus/1369068-American_Empire_Md.jpg

For movie details, please click here.

What is supposed to be a radical-left film, American Empire: An Act of Collective Madness comes across at first as a right-wing tract. Why? Because filmmaker Patrea Patrick’s opening message about the evils of the Federal Reserve sounds as loopy as the utterances from the Republican Party candidates during the last general election primaries. (Does anyone remember Gov. Rick Perry threatening to assault Fed Chair Ben Bernanke?) Late in the documentary, we even hear one interviewee bellow, “We need to take our country back!” While this doesn’t mean we should ignore the film’s other research or the individual views of some of the other on-camera speakers, it does mean that most audiences will reject American Empire out of hand.

Not to be confused with at least one other recent film with a similar title, American Empire begins by tracing the history of tax policy stemming from the Federal Reserve Act. Patrick, who directed, photographed, edited, co-wrote and co-produced this seriously low-budget project, then makes the case that America has become an empire thanks to the corporations that run Washington via lobby power. Though this part of Patrick’s argument is not new, it at least makes sense and was at the heart of the 99% protests of last year.

But Patrick’s implications contain a central flaw: If we accept the fact that there is only a plutocracy in charge and that there are no differences between the two major political parties, then why should anyone left-of-center be at all pleased that Barack Obama was re-elected? According to Patrick, we shouldn’t be pleased—Mitt Romney would have been just as good or bad. But didn’t this thinking lead liberals to getting George W. Bush in 2000?

Patrick and some of her on-camera subjects, a mix of the erudite and the obnoxious, including Tariq Ali, Vandana Shiva, G. Edward Griffin, Maude Barlow, John Perkins, Gerald Celente, Jeffrey Smith, John Robbins and David Korten, seem to suggest that we need a Ralph Nadar type (along with a Facebook revolution) to lead us out of this predicament. No, Nadar isn’t interviewed or even mentioned (Patrick is smarter than to do that), but her film would make a great p.r. promotion piece for the next Nadar.

Patrick is correct about nearly all her concerns—insecticides poisoning our food (an outgrowth of the mega-farming industry), the health risks of genetically modified foods, oil dependency—but her implied solution is the problem. No Nadar type will ever be elected President and it is foolish to think one will. Electing—and putting public pressure on—liberal Democrats is a much more practical and immediate way to achieve the kind of sociopolitical and economic change American Empire so desires.

Back to Woodrow Wilson. Sure, Wilson had his flaws (and approving the Federal Reserve Act may or may not have been one of them), but he was an admirably liberal U.S. President. It seems downright ignorant in the post-Bush age to equate Wilson with the kind of right-wing failures we’ve experienced through the years, and the film’s section about creating a revolution comes across as quaint.

Sorry to say, while raising issues worth discussing—and some of the alarmism is valid—American Empire: An Act of Collective Madness allies itself with a dubious way to address these matters.
Post a Comment
Asterisk (*) is a required field.
* Author: 
Rate This Article: (1=Bad, 5=Perfect)

*Comment:
 

More Specialty Releases

Call_Me_Kuchu
Film Review: Call Me Kuchu

Beyond inspiring, utterly gripping and moving documentary about Uganda’s homophobia, specifically the legacy of the Christ-like David Kato. More »

The Stroller Strategy
Film Review: The Stroller Strategy

Thin, derivative comedy about a lovesick guy using a neighbor’s baby left in his care to win back the girl who dumped him plays the adorable infant as trump card, but bets are off on this one. More »

My_Best_Day
Film Review: My Best Day

Very appealing character-driven study of a girl’s search for her father, small like the town where it’s set but fully loaded with piquant, summery charm. More »

Berberian Sound Studio
Film Review: Berberian Sound Studio

A sly variation on Brian De Palma's Blow Out by way of Peeping Tom, this barbed call out to Italian exploitation thrillers of the ’70s will be best appreciated by moviegoers familiar with the term "giallo”; others will find its dense web of allusions to real films of the period confounding. More »

ADVERTISEMENT



REVIEWS

Man of Steel
Film Review: Man of Steel

Zack Snyder’s overblown, overlong and overdone Superman reboot features a charming star turn by Henry Cavill but buries him inside a drearily violent, flashback-riddled story. More »

This is the End
Film Review: This is the End

Stoner-dude comedy depicts James Franco, Seth Rogen and friends as themselves at the end of the world. Giddily hilarious, while also surprisingly suspenseful and serious More »

Player for the Film Journal International website.


ADVERTISEMENT



INDUSTRY GUIDES

» Blue Sheets
FJI's guide to upcoming movie releases, including films in production and development. Check back weekly for the latest additions.

» Distribution Guide
» Equipment Guide
» Exhibition Guide

ORDER A PRINT SUBSCRIPTION

Film Journal International

Subscribe to the monthly print edition of Film Journal International and get the full visual impact of this valuable resource for the cinema business.

» Click Here

SPONSORSHIP OPPORTUNITIES

Learn how to promote your company at the Film Expo Group events: ShowEast, CineEurope, and CineAsia.

» Click Here