Reviews - Specialty Releases


Film Review: Waiting for Forever

As annoyingly nonsensical as its title, this film makes a would-be compassionate case for—wait for it—stalkers.

Feb 4, 2011

-By David Noh


filmjournal/photos/stylus/1206118-Waiting_Forever_Md.jpg

For movie details, please click here.

Will (Tom Sturridge) is one of those determinedly naive characters so traditionally beloved by filmmakers (if not filmgoers), who wanders the world as a street performer, juggling while dressed in a bowler hat and the ever more depressingly popular pajamas. He returns home to Tinytown, Pennsylvania, where his childlike antics irritate his conventional banker brother Jim (Scott Mechlowicz). Will's real reason for his homecoming is his childhood friend Emma (Rachel Bilson, pretty as a picture, and so what?), who showed him love at an early age, from which he never recovered.

Will, you see, is nothing more than a stalker, and it is the premise of James Keach's idiotic simper of a film that you find his behavior not only somehow justifiable, but irresistible. It's been a weirdly unnerving development in screen history that the adorable, little lost waifs the world once loved, starting from Mary Pickford through Janet Gaynor, Luise Rainer, Audrey Hepburn and Mia Farrow, have been replaced in modern times by even wispier man-child counterparts: Leonardo DiCaprio in What's Eating Gilbert Grape, Johnny Depp in Benny & Joon and Edward Scissorshands, Hugh Dancy in Adam, and now Sturridge, who's high-school handsome but completely fails to make his wounded puppy of a role appealing in any way.

"Why should we care?" is the reaction you’ll likely have while watching the fey Waiting for Forever. Keach tries to amp things up in the last act by throwing in a supposed murder that is merely groan-inducing, especially when you realize that this will only extend the already excruciating exposition. It's typical of the script's shoddy, facile conception that Emma is not just some small-town sweetheart, but a real live TV star to boot, taking some down time from her sadly unfulfilling career and mean boyfriend (Matthew Grant) with the folks back home. They, unfortunately, provide no respite from the general torpor, with Richard Jenkins giving a tiresome performance as Emma's angry, dying dad, and Blythe Danner wasted as her cheerful fool of a mom.


Film Review: Waiting for Forever

As annoyingly nonsensical as its title, this film makes a would-be compassionate case for—wait for it—stalkers.

Feb 4, 2011

-By David Noh


filmjournal/photos/stylus/1206118-Waiting_Forever_Md.jpg

For movie details, please click here.

Will (Tom Sturridge) is one of those determinedly naive characters so traditionally beloved by filmmakers (if not filmgoers), who wanders the world as a street performer, juggling while dressed in a bowler hat and the ever more depressingly popular pajamas. He returns home to Tinytown, Pennsylvania, where his childlike antics irritate his conventional banker brother Jim (Scott Mechlowicz). Will's real reason for his homecoming is his childhood friend Emma (Rachel Bilson, pretty as a picture, and so what?), who showed him love at an early age, from which he never recovered.

Will, you see, is nothing more than a stalker, and it is the premise of James Keach's idiotic simper of a film that you find his behavior not only somehow justifiable, but irresistible. It's been a weirdly unnerving development in screen history that the adorable, little lost waifs the world once loved, starting from Mary Pickford through Janet Gaynor, Luise Rainer, Audrey Hepburn and Mia Farrow, have been replaced in modern times by even wispier man-child counterparts: Leonardo DiCaprio in What's Eating Gilbert Grape, Johnny Depp in Benny & Joon and Edward Scissorshands, Hugh Dancy in Adam, and now Sturridge, who's high-school handsome but completely fails to make his wounded puppy of a role appealing in any way.

"Why should we care?" is the reaction you’ll likely have while watching the fey Waiting for Forever. Keach tries to amp things up in the last act by throwing in a supposed murder that is merely groan-inducing, especially when you realize that this will only extend the already excruciating exposition. It's typical of the script's shoddy, facile conception that Emma is not just some small-town sweetheart, but a real live TV star to boot, taking some down time from her sadly unfulfilling career and mean boyfriend (Matthew Grant) with the folks back home. They, unfortunately, provide no respite from the general torpor, with Richard Jenkins giving a tiresome performance as Emma's angry, dying dad, and Blythe Danner wasted as her cheerful fool of a mom.
Post a Comment
Asterisk (*) is a required field.
* Author: 
Rate This Article: (1=Bad, 5=Perfect)

*Comment:
 

More Specialty Releases

K2: Siren of the Himalayas
Film Review: K2: Siren of the Himalayas

Mountaineering documentary follows an expedition to K2 in the Himalayas. More »

The Possession of Michael King
Film Review: The Possession of Michael King

All unhappy families may be unhappy in their own way, but movies about possession/exorcism tend to a numbing sameness. That said, The Possession of Michael King, yet another "found footage" frightener, whips up some creepy moments and features a strong performance by Shane Johnson as the atheist who makes the mistake of daring the Devil to prove he's not just another bogeyman. More »

Kink
Film Review: Kink

James Franco and regular collaborator Christina Voros teach you everything you always wanted to know about fetish porn (but were afraid to ask). More »

14 Blades
Film Review: 14 Blades

Uneven martial-arts tale benefits from its flashy retro style. More »

ADVERTISEMENT



REVIEWS

Sin City: A Dame to Kill For
Film Review: Sin City: A Dame to Kill For

Neither significantly better nor worse than its predecessor, the belated Sin City sequel is more of a repeat, rather than a continuation, of the original. More »

If I Stay
Film Review: If I Stay

Delivers as promised. More »

Player for the Film Journal International website.


ADVERTISEMENT



INDUSTRY GUIDES

» Blue Sheets
FJI's guide to upcoming movie releases, including films in production and development. Check back weekly for the latest additions.

» Distribution Guide
» Equipment Guide
» Exhibition Guide

ORDER A PRINT SUBSCRIPTION

Film Journal International

Subscribe to the monthly print edition of Film Journal International and get the full visual impact of this valuable resource for the cinema business.

» Click Here

SPONSORSHIP OPPORTUNITIES

Learn how to promote your company at the Film Expo Group events: ShowEast, CineEurope, and CineAsia.

» Click Here