Aaron Moorhead and Justin Benson’s film is an excellent foray into Lovecraftian horror, mixing cosmic dread and some mordant humor in ways that manage to be consistently disorienting.
Al Pacino’s film adaptation of Oscar Wilde’s 'Salomé' benefits considerably from uniformly strong performances and some consummate technical craftsmanship.
Al Pacino’s documentary 'Wilde Salomé' proves to be more satisfying as an examination of Oscar Wilde and his play than as an exploration of Pacino’s theatrical methodology.
Often funny, always acutely observed, Rainer Werner Fassbinder’s sprawling 'Eight Hours Don’t Make a Day' explores the often tendentious intersection of the personal and the political in the lives of an extended working-class German family.
Travis Wilkerson’s ruminative documentary brings home the filmmaker’s preoccupation with the confluence of individual and institutional violence in an exceptionally personal manner.
João Moreira Salles’s melancholic essay-film examines the cataclysmic potential, as well as the sobering limitations and unintended consequences, exemplified by the revolutionary movements of 1968.
